One unfortunate side of the punditry and blogosphere is the endless dissecting of pop culture for deeper spiritual, political and societal meanings. It happens every time there’s a blockbuster movie, hit song or TV show. Among Christians, Harry Potter has been a divisive issue. Apparently, New Moon of the Twilight series is that way to feminists. Is Twilight that bad, or is it targeted because the author is a conservative Mormon? When compared to other examples in Vampire lore, the feminists are on shaky ground.

Over at Fourth Wave Woman, I’ve written about the left’s attack on Stephanie Meyers and how it seems to be a front for an attack on conservative Mormonism. Then, I ran across a post by Sarah Seltzer at RH Reality Check on how to get over Edward Cullen in four easy steps. Seltzer compares Twilight to other vampire series, namely Buffy and Sookie Stackhouse.

Unlike most of the articles about Twilight that I’ve read, I agreed with a few points, especially the first one. However, the author fails to note that all of the romantic interests of the highlighted vampire series have major issues. As a fan of all three, I deeply disliked the main love interests. Angel (Buffy) and Vampire Bill (Sookie Stackhouse) are just as creepy and controlling as the despised Edward Cullen from Twilight.

Years after the series ended, Buffy the Vampire Slayer is the paramount modern feminist heroine. This is despite her weakness for a controlling and domineering vampire boyfriend  in the case of Angel. I loved Buffy because she was a short, blonde who kicked butt and wore cute clothes. I always hated that she was so entangled with someone like Angel.

In all three examples,  I always preferred the alternate love interest (Spike in the case of Buffy, Eric in Sookie Stackhouse and Jacob in Twilight). Unlike the romantic lead, these men/vampires/werewolves respected the heroines and proved steadfast. Angel, Vampire Bill and Edward Cullen all leave the main characters in the lurch. It’s up to the other guy to always pick up the pieces and inevitably rescue the heroine in her time of need. In fact, if feminists are going to fault Twilight, they need to fault the wider vampire oeuvre. Within the pages of fantasy and vampire lore, sexism is rampant, and the heroine is generally in love with a dark, handsome…jerk.

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